- #SCREAMING JETS ALL FOR ONE RARELY WITHOUT A COMB HOW TO#
- #SCREAMING JETS ALL FOR ONE RARELY WITHOUT A COMB MOVIE#
We wouldn't actually put up like venues where we were playing. Steve Howell: I just wondered if people were showing up places and nobody was there. Mark: Eventually, we went to a pawn shop and got some gear.
Steve Howell: Did you actually put a venue down?
It was just like you'd see flyers for The Fartz (editor's note: old Seattle punk band from the early '80s) or whatever, so we put up a flyer for Mr. It was just kind of, Because in our heads, this band existed even though we didn't. Mark: Yeah, it wasn't even like for any real publicity.
#SCREAMING JETS ALL FOR ONE RARELY WITHOUT A COMB HOW TO#
Steve Howell: You guys used to put up flyers before you knew how to play, didn't you?
And, we lived in this weird little fantasy world. (laughs) It didn't jive with what the supposed party line of what punk rock was. And, you know, also like the whole thing about "punk is being an individual and doing everything differently and creating your own path or whatever," and everybody just kind of looking the same and playing the exact same music and what not. Especially, like the tough-guy stance, and that really didn't fit any of us very well. And, also, we loved punk of course, but we saw how absurd it was also. Epp with had a really absurd sense of humor. A couple of friends that I had from high school that I was hanging around and that I started Mr. Steve Howell: I know your original last name is McLaughlin, but I was wondering where the name Arm came from? I was reading that Michael Azerrad book, Our Band Could Be Your Life, and he mentioned something about an absurdist joke that stemmed from the punks at the time of the early '80s, naming yourselves after a body part. I think he released them, but they were all kind of expensive. So, he maintained the rights to all of those, but I can't remember. Mark: I know at one point, Russ had kept like the rights to all of his movies, except for the one that he did with the major, which was Beyond the Valley of the Dolls. I didn't know if they'd re-released it or anything. Steve Howell: I always look for it, but I can never find it anywhere. Mark: And, if I remember correctly, the plot is just sort of like these kind of weird backwoods people who get caught up in sort of adulterous situations, and throughout the whole thing, there's this preacher who's doing a sort of fire and brimstone sort of morality thing. Steve Howell: I think I know what you're talking about. (editor's note: Russ Meyer was known for placing well-endowed ladies in his films.) There's at least something to like about all of his movies. It just had kind of a cool sounding name, and we kind of figured it couldn't be too bad, since everything we'd seen we at least liked on some level. 1, 1988), and we'd actually chosen that name before we'd seen that particular movie. Mark: We were really into Russ Meyer's movies at the time (editor's note: Mudhoney formed on Jan. Steve Howell: I guess was there a particular reason why you chose the name Mudhoney?
#SCREAMING JETS ALL FOR ONE RARELY WITHOUT A COMB MOVIE#
Steve Howell: I never saw the (Russ Meyer) movie Mudhoney. He discusses the band's new album, Since We've Become Translucent, and their appearance at Cleveland's Grog Shop on Sept. The following is an interview with Arm conducted this past month. Original bassist Matt Lukin quit the band and was replaced by Guy Maddison, a long time friend of guitarist/vocalist Mark Arm, guitarist Steve Turner and drummer Dan Peters. The band recently did undergo one transformation though. The irony is that Mudhoney never reached the same peak of success as its peers, who wound up splitting or falling prey to the fame machine. Mudhoney: Articles: Music Notes and Quotes, 8/02įrom Flannel and Fudge to the New Guy in the Bandįor the last 14 years, Mudhoney has managed to outlast almost every other band from the original Seattle Sound era.
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